Four years ago it felt like the city was ours. Running around with wide eyes and backpacks slung over our shoulders, doing our best to assimilate but still gawking over the cafes that the Fitzgeralds wrote in and the streets where our favorite films were filmed. Remember when we were sitting in a park and suddenly realized it was the same park from 24e Arrondissmenet, the short film from Paris, je T’aime? Or when we very-much-on-purpose found ourselves in the same Café that Amelie had been filmed in? I had my first Crème Brulee there and cracked the top the very same way. We were all young, students immersed in our studies of art and culture and humanity, devouring museums and baguettes. We walked on the edges of fountains, wrote our names on locks that would remain forever (sighed four years later when “forever” found an expiration date), drank wine by the Eiffel Tower, and pretended to be French students for discounted Louvre tickets.
Four years ago it felt like the city was ours. As if the streets had been paved for our footprints, the lamps installed to light our late night walks, the art curated to feed our souls. Didn’t it somehow feel that we were the only ones there? Amongst all the crowded metros, didn’t it still feel like ours? Paris has a way of doing that; of making every traveler feel like she belongs to them. What a saucy little minx, that Paris. Even knowing that four tourist filled summers have passed, I still feel as if those streets were mine. Those croissants were mine, the glorified Rembrandt paintings were mine, and the city was mine.
There’s something about being an art student in Paris. You already know that the Mona Lisa is much smaller than most people realize. You also know that the reason it was such an important piece of work at the time it was created was because of the painting technique DaVinci used – not because the subject was some mysterious woman. You don’t crowd around to see her. Incredible as she is, you know there’s much else to see. After all, there are Titian works to be found and a particular Oath of the Horatii to look in on. Paintings looked at in text books for years – paintings you wrote essays on and copied for practice – suddenly in front of your face. You can see the brush strokes. The brush strokes! Indeed, being an art student in Paris must feel similarly to how normal people feel when they see celebrities
Time really paused four years ago. Our normal lives didn’t exist much in Paris and perhaps that’s why she is so easy a city to fall in love with. Paris tosses your heaviness aside and grabs you by the hand, whirling you around and around in a dance as dizzy as the Moulin Rouge.
Our fearless leader and program director quoted A Moveable Feast to us before we left for Paris. He said, “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast”. Friends, we feasted indeed.